|
Table
of Contents |
|
Part 1
Overview of How Injuries
Can Arise |
| CHAPTER
I |
21
MY STORY
“No pain, no gain” |
| CHAPTER
II |
25
YOU ARE NOT ALONE
The prevalence of injuries among instrumental
musicians |
| CHAPTER
III |
29
WHY IT MAY HURT TO PLAY
A definition of overuse |
| CHAPTER
IV |
37
THE CONDUCTOR IS IN
THE DRIVER’S SEAT
10 RISK FACTORS FOR ORCHESTRAL MUSICIANS
Risk factors and stressors particular to
orchestral life |
| CHAPTER
V |
45
CAUSES OF OVERUSE INJURIES
INJURY SUSCEPTIBILITY QUIZ
10 POTENTIAL FACTORS CONTRIBUTING TO
OVERUSE |
| CHAPTER
VI |
51
RISK FACTORS AND UNDERSTANDING
DANGER SIGNALS
This is your wake-up call
10 DANGER SIGNALS
|
|
Part 2
Explanation of Various
Injuries |
CHAPTER
VII
|
57
STATIC LOADING,
BACK AND DISC PROBLEMS
A few suggestions for good posture
|
| CHAPTER
VIII |
65
MUSCLE AND TENDON DISORDERS
OF THE ARMS AND SHOULDERS
Muscle tendon disorders,
tendonitis of the shoulder, bursitis,
impingements,
rotator cuff tears, frozen shoulder
10 ONSTAGE TRICKS THAT CAN BE DONE EVEN
WHILE PLAYING
|
| CHAPTER
IX |
83
NERVE ENTRAPMENTS,
AND HAND
AND FOREARM PAIN
Carpal tunnel syndrome,
cubital tunnel syndrome,
De Quervain’s
tenosynovitis, reducing arm tension,
thoracic outlet
syndrome, Morton’s neuroma
10 PREVENTION TIPS FOR AVOIDANCE OF NERVE
ENTRAPMENTS
AND OTHER OVERUSE INJURIES |
| CHAPTER
X |
103
OTHER CONDITIONS
Raynaud’s
disease, beta blockers and performance anxiety,
ganglion cysts,
focal dystonia,
fibromyalgia, fibrositis or
myofacial pain syndrome, TMJ, eye problems,
arthritis |
|
Part 3
Preventative and
Restorative Approaches |
| CHAPTER
XI |
123
TOO MUCH, TOO SOON?
Guidelines for parents and teachers, the
teacher-student
dynamic, lips,
jaws, fingers, teeth, asthma, instrument size,
joint laxity,
larynx
|
| CHAPTER
XII |
137
STRETCHING AND STRENGTHENING
10 SHOWER STRETCHES
10 ONSTAGE STRETCHES |
| CHAPTER
XIII |
155
CHAIR PROBLEMS
10 LOWER BACK TENSION RELIEVERS |
| CHAPTER
XIV |
169
LOCATION, LOCATION, LOCATION
Outdoor concerts and other hazards
THE MUSICIAN’S SURVIVAL TRAVEL KIT: 10
ESSENTIAL ITEMS |
| CHAPTER
XV |
171
Hearing is our Business
Musicians’ hearing loss
Tinnitus |
| CHAPTER
XVI |
185
THE
WORST CASE SCENARIO (Click to read this chapter)
What to do when you’re hurt |
| CHAPTER
XVII |
191
HOW DO I START BACK?
Rehabilitation and work-hardening |
| CHAPTER
XVIII |
195
INSTRUMENT MODIFICATIONS
Splints, slings, supports and
orthotics |
| CHAPTER
XIX |
221
PRACTICE, PRACTICE, PRACTICE
“No brain, no gain”
A guide to sensible practicing, warming-up
and cooling-down |
| CHAPTER
XX |
245
EVERYONE IS A LOBBYIST
Views for the future
Work-hardening, rotation, balancing programs,
scheduling
concerts, onsite
trainers
10 SUGGESTIONS FOR CONDUCTORS AND MANAGERS |
|
Part 4
Further Help is Available |
|
Further Help is Available |
RESOURCE LIST 253
Books in print, organizations, websites,
videos, products,
clinics and
practitioners
INDEX of instruments 293
INDEX of Images 295
ORDER FORM 299
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